BLACKBERRY SMOKE AND JJ GREY & MOFRO
ANNOUNCE CO-HEADLINE 2018 TOUR
Rose Music Center at The Heights
FRIDAY, AUGUST 10
Tickets On Sale NOW!!!
Blackberry Smoke and JJ Grey & Mofro have announced they are teaming up for a not-to-be-missed co-headline tour. The tour will include a stop in Huber Heights, OH at Rose Music Center on Friday, August 10th.
*Ticket prices include parking and are subject to applicable Ticketmaster fees. Dates, times and artists subject to change without notice. All events rain or shine.
ABOUT BLACKBERRY SMOKE
Pigeonholing Blackberry Smoke has never been easy. Since emerging from Atlanta in the early ‘00s, the quintet—vocalist/lead guitarist Charlie Starr, guitarist/vocalist Paul Jackson, bassist/vocalist Richard Turner, drummer Brit Turner and keyboardist Brandon Still—has become known for a singular sound indebted to classic rock, blues, country and folk.
This fluidity has paid off handsomely, in the form of two Billboard chart-topping country albums, 2015’s Holding All The Roses and 2016’s Like An Arrow.
Find A Light, Blackberry Smoke’s sixth studio album, doubles down on diversity. Songs hew toward easygoing roots-rock (“Run Away From It All”) and Southern rock stomps (“The Crooked Kind”), as well as stripped-down acoustic numbers (“I’ve Got This Song”) and bruising alt-country (“Nobody Gives A Damn”). Rich instrumental flourishes - keening fiddle, solemn organ and bar-band piano boogie - add further depth and resonance.
At its core, Find A Light illustrates the efficiency and chemistry of Blackberry Smoke’s instrumentalists, who have no trouble translating the band’s loose live shows into crisp studio recordings. This commitment to putting the music first above all other considerations is one reason Blackberry Smoke has continued to evolve during their time together. And it also explains why Find A Light’s sonic progressions and expansions sound so effortless.
ABOUT JJ GREY & MOFRO
From the days of playing greasy local juke joints to headlining major festivals, JJ Grey remains an unfettered, blissful performer, singing with a blue-collared spirit over the bone-deep grooves of his compositions. His presence before an audience is something startling and immediate, at times a funk rave-up, other times a sort of mass-absolution for the mortal weaknesses that make him and his audience human. When you see JJ Grey and his band Mofro live—and you truly, absolutely must—the man is fearless.
Onstage, Grey delivers his songs with compassion and a relentless honesty, but perhaps not until Ol’ Glory has a studio record captured the fierceness and intimacy that defines a Grey live performance. “I wanted that crucial lived-in feel,” Grey says of Ol’ Glory, and here he hits his mark. On the new album, Grey and his current Mofro lineup offer grace and groove in equal measure, with an easygoing quality to the production that makes those beautiful muscular drum-breaks sound as though the band has set up in your living room.
From the profane to the sacred, the sly to the sublime, Grey feels out his range as a songwriter with ever-greater assurance. The mood and drive of Ol’ Glory are testament to this achievement. The album ranks with Grey’s very best work; among other things, the secret spirituality of his music is perhaps more accessible here than ever before.
With Ol’ Glory, Grey does his idols proud. It's a country record where the stories are all part of one great mystery; it's a blues record with one foot in the church; it's a Memphis soul record that takes place in the country. In short, Ol’ Glory is that most singular thing, a record by JJ Grey—the north Florida sage and soul- bent swamp rocker.